Showing posts with label death. Show all posts
Showing posts with label death. Show all posts

Wednesday, September 12, 2012

Insta-Luco

Apparently I have an Instagram and that is where these pictures have come from. No one asked me if I wanted an Instagram, but there you have it - my life. My distinct lack of control in all-that-I-do. And so I feel I must explain, you see, as these pictures involve so much artifice.

Life is a construction, as are our personalities (I am an INTJ on the Meyers-Briggs test, "The Scientist," if you can believe the results), but we must show our hands when those constructions come to obscure the tiny vibrating strand of truth that is authenticity.


Authenticity? Really? I apologize. It is either that the photographic effects the prison guard has used have intoxicated me, or it is all the grading that has unraveled me like a spool of thread. Either way, I am not quite here in my head.


And the world has become a rather dizzy place.

I haven't posted, reader, in two weeks.

It is another semester and the prison guard needs my steady paw. My scrutiny. She needs any help I will give her, honestly, because at the moment it seems as though she could build a house of these papers-to-be-graded and move into it.


I really must be dizzy to believe her capable of building a house-not-a-prison.

What was it we were discussing?

Ah yes, authenticity. These photographs seem to me to move too far from the real-Luco. The actual-me. They cross some unclear boundary and become something-altogether-else.

Perhaps I myself become Hipster-Luco.


I do not even know what to say in this moment that crushes my heart like a mouse in its vice grip; I yearn for a long bike ride on a fixie-with-no-brakes to my local organic green market so that I can pick up some fresh made rutabaga pickles and house-smoked bacon; my body moves against my will toward the door, towards Outside; do I own argyle? Can I find a cardigan that would fit my damned feline form? And my body moves me and I am moved; let me play the ukulele and listen to Gangnam Style while maintaining my composure, but still making insightful, witty remarks.

And this picture? I know how the prison guard defaced me. It was MS Paint.

My blood is a wave flooding the shore.



Do not be confused, reader. I apologize for my lapse.

Do not fear, I am your Luco, only. Although I understand in a thunderous way the appeal of rockabilly, flannel shirts, wide-framed glasses, and tights.

I am Luco, hipster, embracing my identity; for if identity is a construction, then it may be built and shaped, torn down and rebuilt; I am be the Scientist today and the Philosopher tomorrow. Maybe one day the Romantic?


Who knows how we change in every moment we exist - how each thought, gesture, television program, Web site, and picture affect us; how every billboard and park bench, bumper sticker and Youtube comment alter us.

We are changed each time we interact. We change each time we move toward or away. Each time we reach or do not reach.

And this day too we have the ability to become someone new. Even if we are reborn to merely grapple again with our own pathos. Bathos? There is something encouraging in this, although it also seems strange to me, and frightening. We should take more care with all we do.



 
Before we die and there is no more chance for change.





Friday, July 20, 2012

The Scarecrow is not Afraid

Some people have (unjustly) accused me of being a "fradie-cat," and a "nervous Nelly." I'm not sure what a Nelly is, but I can assure you, I am not one. I am a Lucy, a Scarecrow. My job, you see, is to scare off, not to be scared myself.

It's just that in a world where thousands of refuges seek shelter from violence in Syria. Where a Batman screening can be the scene of murder. Where a Google News search of "fear" results in 3,230,000 links. Where a search of  "injured results in 43,300,000. And a search for "death" results in 130,000,000 that I just don't necessarily feel okay with the door unlocked, yanno?

So, yeah, I'm cautious. Cautious about who I tolerate standing within 100 feet of the house (the prison guard and her boyfriend), who I befriend (Mr. Pawsley), who I open the door to (no one).

What? You think the mailman, excuse me, the maulman, looks so innocent, but what keeps him from blowing a heart shaped hole through the front door? What keeps him from barging inside and taking all that I love?

I'll tell you what keeps him from doing that. Nothing. Except me.


I'm vigilant. Some might say hyper-aware (actually they say hyper-active, but I like to think they just don't understand words and therefore choose an inaccurate synonym. Lessons on connotation, anyone?). I have a job, a duty; I have a noble calling, friends, and it is to protect.

Would that I were the police! Oh, happy life, that - when I might pull you over, reader, for each infraction. Where I might cuff you, stranger, and lock you behind bullet proof glass. Where I might sleep with a weapon by my head.

Allow me to paste the entire Emily Dickson poem "My Life had Stood - A Loaded Gun" here for you to ponder a moment:

My Life had stood – a Loaded Gun –
In Corners – till a Day
The Owner passed – identified –
And carried Me away –

And now We roam in Sovereign Woods –
And now We hunt the Doe –
And every time I speak for Him –
The Mountains straight reply –

And do I smile, such cordial light
Upon the Valley glow –
It is as a Vesuvian face
Had let its pleasure through –

And when at Night – Our good Day done –
I guard My Master's Head –
'Tis better than the Eider-Duck's
Deep Pillow – to have shared –

To foe of His – I'm deadly foe –
None stir the second time –
On whom I lay a Yellow Eye –
Or an emphatic Thumb –

Though I than He – may longer live
He longer must – than I –
For I have but the power to kill,
Without – the power to die –


This poem speaks to me of the emotion surging through me when I hear the barest footfall approaching my prison-house. The anger and resolve that wells up within me. Did I have purpose before this?

And my smile, reader, please take note, is most certainly Vesuvian. It cracks my face open like a sun.

Why am I telling you this? Perhaps to keep you away, to keep you out, but it's also in answer to Slippy. Did you read our last blog? The one about vacationing? (Well, and then there's also this.)

Well, if you didn't or if you've forgotten, in it Slippy tells me he loves me and I find I cannot quite reply in kind. I give him a tap dance routine, an "I need time," etc. etc. kind of thing.

The thing is?


I don't need time, not actually. The words are recalcitrant - this is the connotation I want - they disobey me. I can't quite say to him how I feel, so I say nothing instead. Coughing, I lower my head, make excuses, all while loving him, loving him. He who has given me reason. It is for him "the mountains straight reply."

My "empathic thumb." My "yellow eye."

This searching, unending, drowning kind of love where I find myself stricken, tears rolling down my cheeks as I watch him chew grass or chase Mingus. When he pisses on a fire hydrant something nameless is tapped into life inside me; it's like a universe of butterflies alighting on my liver, long golden rays of sunlight, warm sand on my belly, water in the morning, a hand on my forehead, deep silence of time passing; it is the sound of singing, bells ringing, rain storm, wind through trees, lightest kiss; it is the turning over and over of everything I believe in until there is nothing save his little gorilla's face; his floppy Mr. Pawsley ears.

But I can't tell him this with words. I say it instead with my actions. By keeping us safe and safe and safer still. I will protect Slippy from danger.


And I will scare off that horrible mailman for good one day.










Friday, March 23, 2012

Mingus Enjoys Sleeping, Dreaming

I dream often and intensely of other worlds. Science fictions where cats reign as kings and queens, the inside is Outside, and our current masters become our kin.

I dream whirlpool worlds of color; places on the laminate that sink into other dimensions; voices crowd and crow in the dusk a chorus of love, of hope, of dizzy joy; rustling bones freed of skin; days I sleep and never see the color white.

Upon hearing of my recent, nearly somnambulist sleep (nearly so because it's been five if it's been twenty separate moments I move to get up in my sleep, gesture to a shadow friend, leap into the air), Luco asked me to write. 


But language fails me and it does so exponentially as I work the words around and around; what this shady glen, and this? Myriad flaming birds alight on my body-not-my-body. Taste of copper. Of anchovy. Of sugar sweat.

And I don't sweat though, so what is that? And why this infestation of imagery?

I've got it like a flu. Shivering alone in bed, but shivering in a kind of luscious glory (luscious because it is sumptuous, plunging, all-consuming; the kind of glory not of pride but born of deepest felt emotion).

The dogs watch me jerk in my sleep. Do they laugh?


Do I care if they do? And if I try to tell them, morons, of these impossibilities, will they grasp even the most delicate thread of my meaning?

Luco said something about how I'm not alone, he goes through this too - spends whole "fortnights" (so tired of having to look up his antiquated language, jeeze) awestruck by his dreams.

His are, you might have guessed, darker. More morbid (he jokes he is moribund, so this morbidity "makes the clearest and most logical sense").


I could continue to list for you these images, these dreams, the conversations I have had and the epiphanies, but I fear I'd just bore you. What is worse than someone trying to tell you about a dream? And anyway, I bet listening to a cat's dreams (a mere cat!) seems all the more absurd.

"To sleep, perchance to dream," etc etc etc!

Luco tells me my dreams are meaningless. The frantic workings of a brain harried by the trials of every day life. I disagree. I tell him to just let me have my other-worlds. To leave me to revel in my sleep.

But you know Luco. He's kind of a jerk. He won't leave me alone.

You know? He probably had me write this blog just to distract me, because I'm pretty sure he dumped coffee in our water dish.


 And now I can't get back to sleep.













Saturday, November 19, 2011

Slippy Loves Emma

Hello to you! I think you probably have been missing me because I haven't said anything to you for like some long time and so I asked Luco could I please please write a blog and he said "If that is what it will take to achieve a moment of solitude, then yes, dog, fine." I wrote what he said verbatim because first he told me the word verbatim and second he said he hates it when I misrepresent him. I know what a miss is and what a present is but I can't think of them together. Again?

So okay! I wanted to tell you about someone who's my special adorable doggy friend who has a name that's called Emma!


I don't get alienated (which is what Luco says which I think means like feeling like an extraterrestrial) but sometimes if maybe I start to feel sad then I think about Emma and everything is better like if Mary gave me some butter covered pieces of steak or like a cheese plate but with no grapes though because apparently grapes would kill me so dead I'd never want to go on a walk again - at least I think that's death but because only I can't think of anything worse than no walking and not eating steak pieces covered in butter.

This is us after we wrestled. We were tired and panting and my tongue was always all the way out of my mouth my teeth tasted like Emma's fur and her spit because I love her so much.

She is if you think about something that makes you happy then that's what she is. She is probably like if you got to eat ham every day each time in the morning.



It looks like we're fighting and I'm really fierce at fighting something like if you saw a bull charging at you in the face that's probably how Emma felt but we're only play fighting so it's not real fierce but Emma knows that because she understands me.

I think Luco needs to have an Emma someone like her who you can look at their eyes and maybe they wink or they don't wink but it's like they did wink and when I look at Emma she's winking at me because we get each other and we support each other I think through thick and thin but that hasn't been tested yet like it's not a verified theory but I think it would come true even if I didn't wish it on a star even if it wasn't the first star in the evening if I did wish it. We already have each other like glitter in glue on a piece of paper.



Here it looks like I'm eating her but I'm not but her throat is delicious and great. Maybe Luco should also hang from her throat like this and swing and feel free and wild like a wild animal which is really what we all are if you think about it. I told Luco that and he said I was acting like a philosopher which is someone who philosophizes which means they think a lot about deep and interesting subjects such as hanging from Emma's neck and not feeling like an alien and not feeling alone.



Haha! Philosophy is great just like a pizza or like an Emma!





Thursday, November 17, 2011

Luco & Melancholia

Did you see Lars von Trier's movie Antichrist? If not, and if you have a strong constitution, it is a worthy endeavor to view this film. However, it is, well, bleak (and that is a determination of "bleak" coming from me). Some critics have accused von Trier of being misogynistic due to aspects of plot and characterization in Antichrist. After viewing it, I had to agree. Well, and I mean, did you see Dogville? Breaking the Waves? Women do not often fare well in von Trier films. They do not often thrive.

As a feline feminist (it is my hope that the preciousness of that title does not take away from the seriousness of what I am about to say), I have struggled with my own ambivalence regarding von Trier; I have both deeply loved and deeply hated his work. Melanchola, his new movie, pushed me up on the gradient nearer "love."

Melancholia is also centered around women, but it leaves me with a sense of von Trier's delicate misanthropy (as opposed to misogyny - what I mean is, at least in Melancholia both women and men act badly and are punished). That is to say, he seems to be in possession of a hatred of humanity (and really all life) that also acknowledges moments of tenderness. "I hate you so much sometimes" will be followed by a scene of sisters holding hands.



I do not know how familiar you are with this movie, but it is at its heart an end-of-the-world film. It is humorous to me because the prison guard and her husband have been watching the Nova series "The Fabric of the Cosmos." This series is about space and time and spacetime and the universe. In short, it makes a happy bedfellow to Melancholia.

Why, you ask, do I lay them down together in the same queen sized bed, gently tucking in a feather comforter around them before climbing up and sleeping in between their legs?

Because both deal with possibilities. Grapple with what it means to be alive. The skewed ways in which we see ourselves; the skewed ways we see the world around us.



The episode of "The Fabric of the Cosmos" we watched last night was called "The Illusion of Time." The host, Brian Greene, posits that theoretically all time exists at once - there is no real separation between past, present, and future; they all happen concurrently. We see life like an "arrow of time" - as progressing forever forward - perhaps due to the nature of entropy. We see ourselves and our world moving always from order to disorder.

And Greene suggests time travel possible. This fills me with an immeasurable amount of wonder, but I will save my ode to time travel for another entry (allow me, quickly, to note that I believe time travel to be one of the most romantic and intriguing ideas ever).

This idea of time fits into the movie Melancholia in many ways, the most relevant of which seems to me to be the way we perceive time as we experience trauma.


The world seems to slow. We become aware of everything around us. The click of the air conditioner, the  tapping of a coworker's keyboard, the dim music suddenly discernible as a car tumbles by our street.

And Melancholia seems to suggest that different people deal with death/disaster/disappointment (if you'll excuse the alliteration), in different ways, some better equipped to cope with loss than others. It even seems to argue that a depressed person is best fit to contend with tragedy. A depressed person will not lie to herself. She understands life inherently meaningless. 

She already wishes herself erased. Dreams expanses of void.

What does it mean for me that Lars von Trier arguably proves with his movie that the depressed creature is the best suited to life and to death?


It means I am the champion, my friend.