Secret Meena (aka Fremlin)

I feel sometimes like a secret.

A cat can be a secret, can't she? And what am I if not that, loitering in doorways, scratching at windows I'd be too afraid to leap out of. I prowl the hallways at night, unable to keep myself from wailing I am lost, I am lost.

What compels this? What clockwork in my heart grinds to life?

A secret, abandoned. Like four and twenty blackbirds I exist just below the surface of surveillance. I coast, I hum, I caterwaul (and damn my feral lungs for their clamor); and am unnoticed.
 

So I might say I love you, Christmas tree, I love you and by this mean nothing, for who hears but the glitter approximating snowflakes dusted across my forehead? Who notices besides the artificial village?

I'm the maid in the garden, aren't I? And the blackbirds bear down on me.

But why should I seek to quiet this swelling feeling? This expansiveness barely contained by, let's say, pie crust (if you don't mind my fascination with a nursery rhyme - it's just so gruesome, so cruel - an apt, if brutal, metaphor for injustice eternal).

It seems to me I ought to feel hopelessly alone. And I do, but I don't. Perhaps just not hopelessly so. I do sometimes feel abandoned, yes, and I began this post by informing you a cat can be  a secret.

But here I am also an apex. Of what I'm uncertain, but of something. It bubbles within me. A potential. And in streaks the hope, out the lessness.

 

I am small or I am large and yet it persists regardless. Happy Christmas, happy Hanukkah, happy Kwanza. Happy happy happy happy. A word maybe stranger than we understand. Originally it meant something more like lucky.

Am I lucky? Am I abandoned or am I found or am I both or neither? Does it matter what I call myself when I stalk the darkness? Who is this moaning creature who has become unmoored within herself? 

Let the wildness roam. Let the feral speak. Let it pour from my lips like breath.

I will find solace here in this fake village. I'll move in, make do.

And you can visit. Ask me why I've changed my name, my home town.

You can bring tea. You can sit with me here. Do something with this pocket full of rye. And find the king and find the queen and save the poor maid - me? - who, like you, toils under the falsehood she is anything other than as artificial as this newly painted snow.

And yet we are something far more than lucky; the fact that we even in this moment exist is extraordinary. How rare we are, and how infinite. How alone and how interconnected. We thrash ourselves to insomniac frenzies and feel desolate, but these tantrums are fractals of experience - my grasping is your pulling is my scaling is your falling is my attenuating body is your breadth is my love is your love is my love is your love is existence repeated in winding strands alike to glinting tinsel on a tree.

And whether my nose is snatched off in the beak of a blackbird, I know you and I are both flecks of gold and silver. Transient. Illogical. Wild.

We are each a kind of crescendo.